ALPHAWe're in private alpha, and we're bringing productions on a few at a time.Request access

Your whole team, on the whole film, at the same time.

Keyframes keeps the entire production in one place, from the first draft to the call sheet, at a price that leaves money for the film.

Free for one production, no card needed.

The Script module in Tag mode, on scene 3, INT. TOW TRUCK - CONTINUOUS. A brass Zippo and a Vienna postcard are both tagged in the text, and the Elements panel on the right lists both.

Six people doing three jobs each deserve better than a spreadsheet

Today

The breakdown, the schedule and the call sheet all live in different files

Keyframes

Here they're one production, so a prop tagged in the pages lands in the catalogue, on a budget line and on the day it shoots.

Today

Everyone is working from a version somebody emailed them

Keyframes

You're all in the same production at the same time, and once the script is locked your changes come through as revisions and pink pages.

Today

The software the industry runs on costs more than the film will

Keyframes

It's free for one production, and $19 a month covers 3 people and 10 projects.

Modules

The whole production, in twelve modules

Every plan includes every one of them, and they all work off the same production.

Develop

Script

A live document with everyone in it, and pink pages once you lock it.

Beats

The card wall, with beats that turn into written scenes.

Design

Breakdown

Tag it as you read, so there's never a second pass.

Elements

Every prop and costume, and the scenes it's needed in.

Locations

Real places, with their addresses, permits and scouting photos.

Mood

Reference boards for the look of the film.

Assets

Files that sit on whatever record they belong to.

Plan

Schedule

A stripboard you drag, and totals that recount in eighths.

Call sheets

Built out of the day, and confirmed on a phone.

People

Your cast and crew, with their rates and their call times.

Budget

Accounts and lines, fed by the breakdown and the schedule.

Shoot

Shot lists

Setups and coverage, ticked off on set even with no signal.

Not built yet

The productions in our alpha get to set the order we build these in.

Research

Reference and development notes, kept together.

Not built yet.

Reports

Day out of days, and cast day counts.

Not built yet.

Dailies

The footage, matched back to its setup.

Not built yet.

Review

Cuts, with notes on the frame.

Not built yet.

VFX

Flagged shots, tracked out to a vendor.

Not built yet.

Marketing

Stills and cutdowns for the campaign.

Not built yet.

Festivals

Submissions, and the deadlines they run to.

Not built yet.

Deliverables

The distributor's list, tracked through to done.

Not built yet.

HOW IT WORKS

One pass through the pages, and the production follows

Write the scene together

You see each other's carets, and your scene numbers hold while the pages move.
The Script module in Write mode, scene 1, INT. CONVENIENCE STORE, BACK ROOM - NIGHT. Two collaborators' cursors sit inline in the page as name pills, Sal Reyes and Maya Ortiz, and a band of text they've just touched is highlighted. The top bar shows three people present, and the scene list on the left runs 1 through 6.
Key

Key checks the production, and you decide what happens next

Key is off until you turn it on, and it stays quiet until you ask it something. It never writes a line of your script and it won't change anything on its own.

You ask it in Command K, it reads the production, and it comes back with a list of things it would change. Nothing moves until you apply one, and anything you apply is one undo away.

A depiction of the command palette in Key mode. It shows the typed query "what did the pink pages change in the breakdown?", three lines reporting what Key checked, and two proposed changes: adding scene 44 to the Brass Zippo element's scene list, and updating scene 33's page count along with shoot day 5's total page count that it feeds. Each proposal shows its change as a before and after value with an Apply button. Nothing shown is applied, and none of the controls in this depiction are functional.

Off until you turn it on

It's set per production, and while it's off nothing you write leaves your workspace.

The Key toggle, shown off.

It runs on your permissions

Key works as you do, so if you can't see crew rates then it can't either.

Logged, and reversible

Every change it makes carries your name in the activity log, and you can put any of it back.

An example activity log entry: Dana applied 2 via Key, with an undo action beside it.

Pricing

Plans that don’t break the bank

Every plan includes every module, and the free one is a plan you can stay on for as long as you like.

Free

$0

It's a real plan for one production, with every module unlocked, though storage is tight and Key is off.

Start free

1 seat

1 active project

No Key

2 GB storage

Student

$7/mo

For a thesis film or a grad piece, and you'll need a student email to sign up.

Get early access

2 seats

3 active projects

50 Key requests a month

5 GB storage

Most people pick this

Indie

$19/mo

For a small team carrying a whole film between them.

Get early access

3 seats

10 active projects

200 Key requests a month

20 GB storage

SpecFreeStudentIndie
Seats123
Active projects1310
Key requestsNone50/mo200/mo
Storage2 GB5 GB20 GB
PDF brandingKeyframes markKeyframes markUnbranded
Audit logNoneNoneNone

Free

Seats
1
Active projects
1
Key requests
None
Storage
2 GB
PDF branding
Keyframes mark
Audit log
None

Student

Seats
2
Active projects
3
Key requests
50/mo
Storage
5 GB
PDF branding
Keyframes mark
Audit log
None

Indie

Seats
3
Active projects
10
Key requests
200/mo
Storage
20 GB
PDF branding
Unbranded
Audit log
None

A seat is a person, so somebody who works on every production you make still counts once.

Bring your next film in early

We're taking productions on in small batches while we're in alpha, so we can answer you properly and know your film by the time you're shooting it.